9-dic-2012 - Questo Pin è stato scoperto da Timothy Ingram. wolfgang weingart, who was born in 1941 in salemertal in southern germany, attended the merz akademie in stuttgart from 1958 to 1960, where he familiarised himself with typesetting and the process of making linocuts and woodcuts. May 30, 2014 - images from the book: Wolfgang Weingart: My Way to Typography. German born Wolfgang Weingart is a renown graphic designer/typographer responsible for the development of New Wave, or Swiss Punk typography. As early asthe mid-1960s he began to break the established rules. From 1964 he continued his studies at the Kunstgewerbeschule Basel under Emil Ruder and Armin Hofmann. As an object it contains enough apt perversions to sustain interest: white hardback jacket, modest uncoated paper, most of the book in stark black and white with occasional bursts of colour, and set throughout in deadpan Times. Wolfgang Weingart. The aim of the exhibition, which was developed in collaboration with Wolfgang Weingart, is not to show only results, but also to illustrate the work processes themselves. Under the title “Typography in a New Context” Weingart here deliberately distanced himself from the functional typography of the “Swiss Style”. Wolfgang Weingart Font Typography Graphic Design New Wave Poster Page Layout Graphic Designer Art #292620 #5b564d #989489 #d6d1c4 #e6e1d5. He is credited with developing the ‘New Wave’ typography in the early 1970s which is also dubbed as ‘Swiss Punk’. As a distinguished teacher, Weingart has always been committed to the teaching of font … In fact, the whole book suffers from an antiseptic exactness, despite the abundance of rough black and white material. These thematic islands focus on formal, technical and content-related aspects. In the context of both the country’s neutral political stance and its isolated typographic circle, his experiments with printing processes seem politely contrary rather than anarchistic. For the autobiography and portfolio of a 60-year-old typographer, however, the form is wide open to accusations of vanity and grandiosity. A must have for every graphic designer. The online retailer Moonpig have had a full rebrand that includes a new custom ... Pensum Display is the triangular and spiky packmate of text monster Pensum Pro. In Typography, Weingart sums up an impressive lifework in 500 pages that describe his own development and the foundations of his teachings. Captions are not included on the page, but clustered in caged grids every few pages; superficially attractive yet maddeningly unfunctional. Noto typeface family helps enable global communications across devices, borders, cultures, languages and periods ... Styrene, designed by Berton Hasebe, is his latest exploration of proportion and simplicity in ... Aspen is a refreshing and resilient typeface for text of any kind. The process through which the works are made is allotted just as much importance as the results of this process: calendars, individual books and book series, magazine covers, writing paper, corporatedesigns, and posters. His work is characterized as Swiss Typography. A classic in the making over 30 years finally arrives! Nov 3, 2015 - Explore Devon Sandage's board "WOLFgang" on Pinterest. Weingart ei saanut opintojaan Baselissa päätökseen, mutta hän sai koulusta työpaikan opettajana vuonna 1968. On entering the exhibition you are immediately immersed in Weingart’s world of poetic comparisons. If you are still getting used to pairing fonts, this is a great duo to get. since the 1970s wolfgang weingart has exerted a decisive influence on the international development … Apr 4, 2014 - Designer and instructor Wolfgang Weingart is recognized with a 2013 AIGA Medal for his typographic explorations and teaching at the Schule für Gestaltung Basel, and who, through the work of his students, created a more experimental and expressive approach to typography that was influential around the world. Weingart’s self-portait doesn’t stray far from heroic rhetoric (‘Self-education in the spirit of protest’) – a tone set by Paul Rand’s glowing preface, though achieves more than simple self-mythologizing: the work is always carefully explained in relation to the social and technological events. Wolfgang Weingart is an internationally recognized figure for his iconic body of work in the field of graphic designing and typography. By combining the activities of printer and designer, and being solely responsible for the outcome, he was able to create unique visual expressions. By the mid-1970s Weingart had exhausted the possibilities of manual typesetting and the letterpress. Issuu company logo. My favorite Designer is Wolfgang Weingart. Weingart’s expressive text interpretations of the late 1960s and early 1970s form the exhibition’s programmatic core. It is still the most versatile, classic … Pictures of the desert, which Weingart made during his travels in the Middle East, find counterparts in his “Round Compositions” and “Line Pictures”. In such details and in a more general sense, Weingart and his book walk a thin line between an engaging conviction and an excluding arrogance. Graphic design writing regularly obscures such basic encouragement by confusing what are really personal artworks with being some kind of wider ‘way forward’ for design. Helvetica but I like the VW beetle, too, although I 've driven! 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